Jazzjunkie, 60

Anything with a swing beat and a walking bass ...with complex chords is a tune I'm going to like.

Add a smoky-low female voice (e.g. Julie London), and I'm in heaven.

Would like to join or form a small jazz combo.

My ideal would be a multi-instrumentalist, multi-vocalist small jazz combo. Bass, drums, an instrument that makes chords (piano and/or guitar), and at least one instrument that can solo such as guitar, piano, and/or horn(s).

I compose, sing, and play bass, acoustic guitar, and can four-or-five voice any chord on the piano, with two years of formal music theory training and complete knowledge of jazz harmony. Would like to mostly play bass. Love that walking bass going boom-boom on the quarter notes. But would also love to spell on vocals, guitar, piano, and drums.

Have a vision of a contralto (soprano also works) in a black cocktail dress singing the standards. (Would love to have one as my S.O.)

Mostly like the post-war bebop and West Coast "cool jazz" (1945-1964), and Broadway standards from anytime after the early 1920s.

Influences are Brubeck (and his rhythm section), Desmond, Miles, Chet Baker, Art Pepper, Trane, Richard Rodgers, George Gershwin, Cole Porter, Sinatra, Ella, Peggy Lee, Julie London.

Favorite tunes are So What, Take Five, Tokyo Traffic, Minor Yours, Take Ten.

Favorite songs: I've Got You Under My Skin, What Is This Thing Called Love, You'd Be So Nice To Come Home To.

Favorite musicians: Brubeck, Desmond, Joe Morello, Gene Wright, Miles, Chet Baker, Art Pepper.

Favorite jazz singers: Peggy Lee, Julie London, Ella, Frank.

Ladies, even if you can't carry a tune or play a no, if you're a music lover I'd like to correspond with you.

I like to ballroom dance (Swing, Cha-Cha, Foxtrot) and sing karaoke. I like to cook.

I speak Spanish and Italian, tourist French, and high school German.